Friday, September 16, 2011

What do I (think I) know?

Gosh, it's been an absolute age since I posted. Ack! Hopefully you're all wondering what the heck is going on, and asking yourselves, "where in Pete has that girl been!?"


So, here's the scoop: this has been the summer of ailments (and, evidently, I forgot to mark it on my calendar). No, really. It's been a little bit ridiculous. 


Since April, I've caught two colds (I hardly ever get sick), one monster case of allergies that led to never-ending coughing and ended up requiring two asthma inhalers (I don't have asthma), and, just because life wasn't going to be complete without it, I've been limping (very painfully) around for four solid weeks with my backside, hip, thigh, and knee out of whack. 


Honestly! Is this truly necessary? 


I say all this to you, not just to whine and kvetch about it (because, I mean, who would I be without my whining and kvetching?), but because getting around with extreme pain (it's finally starting to settle down somewhat, thank goodness) has forced me into an awareness I've never had before.


I'm ashamed to admit to you how completely ignorant I've been of this fact: There are a lot of people walking around in constant and terrible pain. They're not complaining and carrying on (like I am). They just go about their business and do what they've got to do. In pain. 


It's one thing to get this on an intellectual level (and, of course, I've always understood this on an intellectual level), but that doesn't mean anything. 


Sure, I've seen my dear friend get to a point where she's had to walk around with a cane (and only for very short distances) because she has extremely painful knees. I always known that she's in pain most of the time, but until recently I'd only understood it on a peripheral level. 


Until I experienced what it's like to be absolutely unable to get from point A to point B (forget the fact that moving made me want to scream and/or cry)...I had no clue. 


Do I have a point I'm trying to make here? Well, yes, I think so.


I'm realizing (yet again) how important it is for me to question some of the things (maybe many of the things) I think I "know". Because a lot of the time...I really don't. Often, all I have is some vague idea in my mind about what someone's experience is- whether the person's in pain, has a serious illness, comes from a culture or ideology different from mine, has some sort of a label (whether s/he wants that label or not), is socially ostracized...The list goes on indefinitely, as you can imagine.


I am struck by how limited I am in my understanding of what any of these things actually mean in terms of a person's life and how it affects who the person is and how they relate to other people and to the world.


In short, I am, yet again, astonished by how much I just don't know. And, more to the point, how much I'm not even aware I don't know. And I have to ask myself: as a music therapist, what are the things I think I know? And how willing am I to find out my assumption(s) may be incorrect? 

Sunday, July 31, 2011

Journal Prompt #5: A person of interest

Poet Elizabeth AlexanderImage by On Being via Flickr
...And are we not of interest to each other?


The very last line of Elizabeth Alexander's poem- to which I'd only been half listening as I prepared breakfast with the radio on- came into my consciousness in such a profound way that I literally tripped over the garbage can, knocking it over, on my way to the computer to go and find it and re-read the whole thing.   


And I again came to rest on the last line:


...and are we not of interest to each other?


How beautiful!


You are by now, I'm certain, well aware of my love of good questions. So, as you can imagine, on principle, I love Elizabeth Alexander's ideas about poetry and how it leads to inquiry. Here is what she had to say about the matter in the interview she did with Krista Tippett from On Being:


I was thinking about the act of asking real questions in poems as a kind of spiritual practice. I ask questions relatively often in poems and I ask them because I don't know the answer. And I ask them because I think that poems are fantastic spaces with which to arrive at real conundrum kinds of questions, to go as far down the road as you can of understanding something and then sometimes that road ends with a real question.


I wonder if one might describe the process of music therapy (and, indeed, maybe someone already has) as a form of collaborative poetry-making and inquiry- an effort to create an evolving piece of relational art- one that often ends with more questions than answers. And one that invites deep self-reflection and, as my mother (who is a poet) often points out, frequent editing. 


...and are we not of interest to each other?


Elizabeth Alexander elaborates:


[The question] ...to me isn't about, oh, you know, I like her shoes or ...he has a fascinating job. It's much deeper than that. Our human beings who are in community, do we call to each other? Do we heed each other? Do we want to know each other? And I think reaching across what can be a huge void between human beings.


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

As you consider your work as a music therapist (and as a participant in life), you might ask, not only do we interact with each other, but how do we interact with each other, who are we to each other, and in what ways are we with each other?


More questions to ponder: 
*Are my clients "of interest" to me? In what ways are my clients "of interest" to me? As in, what do I mean when I think of someone as being "of interest" to me? How do I define "interest"? Is it as "you're an interesting person"? Or is it deeper than that? And how deep am I willing to go?


*Are my clients "of interest" in terms of how I am defined when I am with them? Are they "of interest" in terms of: "This is who I think you are in relation to me"? In other words, is the "interest" defined largely by the roles we play? And how willing/comfortable am I to look beyond the assigned roles?


*Does being "of interest: mean that I know certain things about you as my client? And how does that affect the power dynamics in our relationship? On another level, what and how much am I willing to know about you? 


*What do I, as your music therapist, want you, the person called my client, to know about me? Are there things I wish you could know about me? And whose need am I meeting in wanting that?  


*What if our clients don't hold our interest? What then? 


My deepest thanks to Elizabeth Alexander for her inspiring poem and to Krista Tippett for the willingness to "go there" in her interviews! 


You can read the entire poem and learn more about Elizabeth Alexander and her books of poetry hereAnd you can listen to (or read) the entire conversation (and many other engaging interviews) with Krista Tippett here.




Saturday, July 23, 2011

Thank you!

I want to interrupt this (not so) regularly scheduled blog to thank you, kind readers! My follower list just hit the big 50! 

(And, with any luck, in five more years, so will I!)

Go 50Image via Wikipedia
Welcome to all of you, and thanks so much for supporting the Mindful Music Therapist!